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Perl39


Selected review excerpts Calculated Extravagant Licentiousness EP (Perl39)

 

Killer tight Perlon Swing 4/4 track, slinky bass licks and all. "Romantic Infinity" has latin boogaloo samples and a cavernous vocal touch, tight like a gnats ass plus much better than any recent Señor Coconut work.
boomkat.com, Manchester/UK

Quite a trip (…) Very dense and warped beats and sounds flicker behind the eyelids, as if one has eventually kept on the wired contact lenses and would have dozed off once again. Such dreams are the result of that kind of improvidence (…) No-frills Microhouse, overshooting the mark, which one rocks with pleasure whenever feeling like mashing the floor. Killer release. Ultra dry and funky down to the last detail. ••••• out of 5
de:bug magazine, Berlin/D

Ultraphat minimal Techphunk trax. Tip!
decks.de, Parchim/D

Rest assured, the record will be warping your cerebral cortex.
frankfurt-vinyl.de, Straubing/D

Psychotic and totally danceable. A new pearl.
Geometrik Records, Madrid/E

"The Drumpads Of Jericho" turns out to be a force not to be expected like this. When the bass line comes in after the first half of the track, it is definitely clear that this is a hit which nobody should miss any more. Fantastic!
Groove magazine, Berlin/D

Guaranteed fresh House cuts w/a strong club appeal - HIT!
Hardwax , Berlin/D

Another winning release on Perlon.
hedonizmrecords.co.uk, Brighton/UK

My favourite single Perlon release though is the astonishing Narcotic Syntax EP, three tracks of the most joyful, curious, beguiling Microhouse you'll ever hear, including possibly the only recorded use in Microhouse of the word "blimey!".
I Feel Love blog by Angus Gordon, Melbourne/AUS

Yes! do it… one of my fav perlon tracks. that swinging latin and echo'd drum sound just gets the people moving around the floor. the kinda tune that makes people put one arm up in the air and jump on one leg.
Freaky Trigger/ilXor.com, I Love Music discussion site, Perlon s&d

I just call it Ketamine Glam and I love it.
inthemix forum, Australia

I absolutely loved the release. It is by far the most original, dope new record I've gotten lately. I really liked the idea of having short stories overtop of the tracks.
Jason Sims (DJ Stormchild), Vancoucer, BC/CAN

Japanese narrations featured!!! A huge impact track. You surely feel it's different.
jetsetrecords.net, Kyoto/JAP

It is an excessive mind trip to which James Dean Brown and yapacc invite right at the beginning of their new Perlon EP. Simply great!
Partysan magazine, Stuttgart/D

Solid gold with sexy vocals. (…) I am SOOO in love with this release! "The Drumpads Of Jericho" is an EPIC track. Filthy yet clean, sparse yet dense, sexy female vocals, phat as fuck in the middle and to top it off it gets all schaffel at the end – the perfect transition track for all your 6/8 Köln madness. But to single that track out alone would be unfair – all three tracks are K I L L E R.
Simon Hindle, party promoter, Sydney/AUS

Unique sounds which should move even the most stiff hips in a wiggling kind of way. Wicked.
smallfish.net mailing list, London/UK

Slamming Techno House with a killer vocal and funky percussive workout, with a killer set of melodies across all 3 tracks. One of the best releases on Perlon in a while.
sonicgroove.com, New York City/USA

The beat, groovy 'n' tight, and the bass sound with beautiful and charming synth loops over the sexually attractive English voice lead you to "Electric Liquid". On the other side you'll find unique breakbeats with eccentric Japanese speech and mechanical riffs. You can taste thrill and sensational arrangements on all 3 tracks. Absolute recommendation!
spoonerizm.com, Tokyo/JAP

3 deep tracks that give the lie to this music's common Microhouse classification; if anything, Macrohouse would be more apropros. The mechanistic array of drums and hi-hats churns underneath throughout, eventually lumbering the 12" to a lascivious close. Let's hope the full-length planned for late 2004 sparkles as brightly.
Stylus online magazine, New York City/USA + Dawlish/UK

As the title implies, the 3 tracks extravagantly avail of luscious bass lines as well as daringly calculated architecture in 4/4 measure, which exclusively aim at lifting the listener off his statics.
Sub Culture magazine, Leimen/D

Maximum Funk for the floor.
sub:strata.com, Victoria/AUS

A boiling basement of sound surfaces pulsating like water, that are enriched with shredded sound snippets.
techno.de online magazine, Berlin/D

"Romantic Infinity" is an upbeat Martini party Jazz affair with an intoxicating bassline to boot. Another body caressing funkster which refuses to let you stop dancing until the end. A sure late night affair to get the dancefloor up and social at the feet.
textone.org / Contexterrior Media netlabel + critical writing, Berlin/D

Narcotic Syntax have printed their lyrics on the inner sleeve. They kinda remind of those hyperreal, semi-meta, semi-cyber writings on the sleeves of Fortran 5 or Andrew Weatherall releases. Musically, "Electric Liquid" is one of those typical Perlon grooves, sounding funky via the elasticity of rubber gloves rubbing a balloon, while "Romantic Infinity" is built along the lines of a Latin Jazz sample. The delivery of the prose lyrics by Winter, however, gives both songs a bit of an alienated Flying Lizards feel as well.
Uzine Ultra E-zine, Antwerp/B

"Electric Liquid" is everything we expect in a Perlon track and more, a funky dancefloor mover based around a sultry, decadent female spoken word vocal, flashing hats and Lil Mark-like bassline Funk. Cut-Funk fans will drool over "The Drumpads Of Jericho" with its narcotic blend of bass, crisp percussion and sleazy funk.
vitalvinyl.com, Minneapolis, MN/USA

A very good 12" from an excellent label that people are starting to get the message about. Spoken word lyrics in English and Japanese combined with ultra funky drum programming, all held together by some wicked live bass lines. Recommended.
Warp Records, London/UK

Station towards the apcalypse on the floor.
Yann Quelennec (Coda magazine, Paris), Marseille/F

 

Two thrilled testimonials

Narcotic Syntax – "Calculated Extravagant Licentiousness EP"
Get home pretty late. Unpack fed-ex box full of records. They're all fantastic. Especially "Calculated Extravagant Licentiousness EP" by Narcotic Syntax. I'm not going to post it. Because I downloaded the mp3 ages ago and didn't think anything of it due to listening on shitty computer speakers. Forget whether file sharing is killing music: shitty computer speakers are killing music. Buy the damn thing and listen to it properly.

Byron Bitchlaces blog by Jacob Wright, Singapore

Narcotic Syntax – "The Drumpads of Jericho"
I'm pretty much an unashamed old raver, and I do like my dance music to make me imagine being on vast quantities of drugs and feel like the top of my head is being caved in with a meat tenderiser. I can't pretend otherwise. So while I love the prettiness and inventiveness of a lot of Perlon records' output, and enjoy the click and snap of synchopated ditty samples, a lot of this music leaves me very cold in the sense that I can't imagine it making me transit into that special dancing place where you can't actually physically thrash your limbs around as fast and violently as you would like. Narcotic Syntax, however, don't have that problem. This record is an absolute monster. I've always hated P-Funk's tinniness and caricatured funk (I don't actually find it funky) but this tune I can only describe as being like P-Funk, except good. It has that heavy heavy emphasis on hitting on the one, and the bite of the drums. Except, this is poetry via percussion. They can do everything with percussion that Rex the Dog does with melody. So much so that you don't even NEED the devastating bassline that kicks in about 4 minutes in. And if that weren't enough the damn thing then breaks down into triplets at the end. Which means I invariably have to mix it into either Ferenc's "Punto Pilota" or the Orb's "Masterblaster" to complete the perfect union of brainy and brawny house in some kind of non-dualist mind and body orgasm.
Byron Bitchlaces blog by Jacob Wright, Singapore